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Tuesday, November 16, 2010
Fathom
Hawk
Tuesday, June 23, 2009
Cove Life

I just finished this drawing. I've been meaning to do an underwater drawing or painting of La Jolla for a long time but wasn't sure how to compose it. A lot of people do underwater paintings but they feel cluttered. I tried to simplify. This is generally what La Jolla feels like underwater. I put a leopard shark in but it didn't work for the composition. The harbor seal is inspired by an actual harbor seal that visited us during our swim in January around the kelp bed. It was a perfect day, Santa Ana and thirty foot visibility. The water was only 59, great for January.
Thursday, May 7, 2009
Quick Color

Wednesday, April 22, 2009
Cliff and Tree

Been Awhile

Hi again. The long winter is over and I'm starting up drawing again for the spring and summer. During the winter months I'm just trying to survive the short days and feelings of apathy. Attempting to draw and failing can make the winter even worse so I decided to go into a dormancy for three months until the time change. I really get motivated this time of year because of the blooming gardens, travel and Comic Con in July. I'm starting to get the hang of the Wacom tablet. This is an attempt at a very colorful, printlike style that I have tried in Acrylic but decidedt to try it digitally instead. I kinda like the look.
Wednesday, October 29, 2008
Slowin' Down

Sunday, September 21, 2008
Red Tailed Hawk
Sunday, September 7, 2008
Thursday, September 4, 2008
Santa Barbara Again

Thursday, August 21, 2008
Rain and Neon
Here's a drawing I've worked off and on for the last few days. I always wanted to do a Ridley Scott 'Blade Runner', 'Black Rain' scene. I read in an interview with him where he said that 'Blade Runner" was essentially a cinematography exercise in rain, steam, and light. All the story stuff was secondary. Doing a drawing like this is like rudimentary CGI. In the big blockbuster movies the CG we see that looks so photoreal is comprised of hundreds to thousands of layers, three dimensional models, hair, lighting, texture, rain, smoke, etc. Each layer takes hours and hours of manpower. I don't think the average moviegoer knows how complex it all is, there's no magic button that creates those images. I'm not a big expert on the stuff and it freaks me out how long it takes and all the mathematics and programs but I don't think anyone can argue that the images in those films are beautiful. Of course most would also argue that story is sacrificed for image, but for every 'Phantom Menace' and 'Day After Tomorrow' is an 'Iron Man' or 'Lord of the Rings'.
Sunday, August 10, 2008
Hellboy

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